Hoff uses many of Milne's characters to symbolize ideas that differ from or accentuate Taoist tenets. Milne's stories as characters that interact with him while he writes The Tao of Pooh, but also quotes excerpts of their tales from Milne's actual books Winnie-the-Pooh and The House at Pooh Corner, in order to exemplify his points to the reader and the characters. Hoff presents Winnie-the-Pooh and related others from A. Then the story unfolds backing up this analogy. Each tasting the vinegar of "life," Confucius finds it sour, the Buddha finds it bitter, but Laozi, the traditional founder of Taoism, finds it satisfying. The book starts with a description of the vinegar tasters, which is a painting portraying the three great eastern thinkers, Confucius, the Buddha, and Laozi over a vat of vinegar. A traditional representation of "The Vinegar Tasters".
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*"Rarely have the links between northern industry, southern agriculture, slavery, war, child labor, and poverty been so skillfully distilled for this audience." - Booklist, starred review *"An absorbing and richly satisfying read." - School Library Journal, starred review *"Riveting." - Publishers Weekly, starred review A thorough and absorbing re-creation of the ill-fated voyage." - Kirkus Reviews, starred review fine book." - The Horn Book, starred review *"Hopkinson knows precisely what's she doing in her coverage of the Titanic disaster. Hopkinson's reporting is so rich with information that it will be equally fascinating to young readers and adults alike." - Los Angeles Times "A meticulous recounting of the disaster. 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Now in its eagerly awaited second edition, published in New Zealand by Otago University Press, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, and the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date.Īt the turn of the millennium Linda Tuhiwai Smith's trail-blazing book, Decolonizing Methodologies, was one of the greatest contributions towards instilling pride and dignity in indigenous peoples all over the world. Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonisation of research methods will help to reclaim control over indigenous ways of knowing and being. This essential volume explores intersections of imperialism and research – specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth'. Friday 1 November 2013 12:19pm Research and Indigenous Peoples Linda Tuhiwai Smith The book Fortunately, the brilliant Belgian inspector Hercule Poirot is also on board, having booked the last available berth. With no escape into the wintery landscape the killer must still be on board. Incredibly, that compartment is locked from the inside. Passengers awake to find the train still stranded and to discover that a wealthy American has been brutally stabbed to death in his private compartment. While en route from Syria to Paris, in the middle of a freezing winter's night, the Orient Express is stopped dead in its tracks by a snowdrift. It takes a considerable amount of time to develop an idea, so in this sense, it is a process. It is “the process of having original ideas that have value”. The three features of human intelligence are that they are diverse, dynamic, and distinct, which indicates that each person should seek to find his or her own unique Element.Ĭreativity, he defines, is applied imagination. The list includes mathematical, linguistic, musical, spatial, kinesthetic, interpersonal, and intra-personal (knowledge and understanding of oneself). One of the key messages is that we should think of human intelligence as something much more than academic abilities. To find one’s Element, he suggests, one also needs to have the right attitude and actively seek opportunities. He defines the Element as “the meeting point between natural aptitude and personal passion”. In a sense, the book is a big compilation of his presentations on the subjects of human intelligence and creativity. I read this book because of Sir Ken Robinson’s TED talks. Winifred, currently buried in Wales.Īs a native of Wales, Cadfael is selected to go with the monks to exhume Winifred’s body. The Abbey’s reputation is diminished because it is without a major relic, and, after a seeming miracle, seeks to take the bones of St. The novel follows Brother Cadfael, a monk of Shrewsbury Abbey in 1137. However, based on the television series, I was expecting more of a focus on the mystery. That is NOT a bad thing–I’ve lost track of how many mysteries I’ve read over the years but this might be the only book centered on Wales. With Gil Mayo, the series was comic but the books were solemn.Ī Morbid Taste for Bones felt like its priorities were first in describing the intricacies of 12th-century Welsh society, second in describing the Welsh landscape, third in religious details of English monasteries, and fourth in developing the mystery. Once again, the books weren’t bad but had a different feel than the tv series. Again, I feel like a philistine but, in a weird way, it’s almost gratifying that this can happen more than once–I liked the television show more than the books. So it is with Duma Key (609 pages, Scribner, $28), King's latest novel. Stories such as The Stand, The Shining, The Green Mile, and Different Seasons are profoundly moving not because they scare a gasp out of you (and they do), but because they so convincingly create people out of ink and paper who continue to live with you long after the book closes, years later coming up in soft-focus memory like friends you've lost touch with but vividly remember. Like all great horror writers, King is at his best when the speculative takes a backseat to character. Wait half an hour and another one will come grumbling along with the same sort of passengers having the same sort of conversations. As brilliant as they may be, I feel about them as I do a bus. Can I say the same about the equally prodigious John Updike or Joyce Carol Oates? I'm afraid I can't. And despite all the years I've spent in his skull, privy to his nightmares, King somehow remains compulsively readable. After gobbling up his more than forty novels and two hundred short stories, you'd think the world might have had its fill of Stephen King. |